To place in photo competitions generally, an image has to be seen as art. When is photography art? The most uniformly accepted criterion over the past century and a half defines art in photography as an image that evokes emotion, be it beauty, admiration, pathos, humor, intrigue, pity—any one of innumerable human feelings.
To be considered art, a photograph has to be virtually free of technical flaws that would distract from the essence of the image. Since the absence of basic shortcomings is normally a prerequisite for qualification of a photograph as art, most judges begin a critique of an entry by noting any significant technical flaws.
Does the image strongly represent the theme, or does it take a bit of imagination to make it apply?
Does the subject, whether human, flora, fauna, geographic or architectural, have a distinctive and appealing presence or intrigue.
Image titles are not read during the judging so as to not influence the judges to “see” more than what is actually being displayed
Does the image have impact?
Is it dynamic, dramatic and appealing?
Does the image show imagination?
Has the photographer presented the image in a unique way or looked at the subject in a new way?
Note: Do not be biased. As a judge, do not let your personal prejudices influence your scoring.
Did the photographer set up for the shot properly?
Is the image sharp?
Does it have the correct exposure (too light / too dark) and contrast (too harsh / too flat)?
Does the selected depth of field work for the image?
If a flash was used, was it properly utilized(no red eyes, hot spots, “shadow buddies”, etc…)?
Does the image have vacant space? Is a sizable part of the photograph empty with no meaningful content?
A winning photograph must have something that drives you further than the norm. It has subtlety with complexity; you are compelled to study it more, it grabs you. A great photograph and sure winner evokes awe, a sense of wonder and admiration that returns with anticipation when the picture is viewed again.
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